Waldeinsamkeit

I know a quiet

place

where songs of

fireflies

flood

the twilit

air

and heaviness

hangs

all around.

.

I know a quiet

place

where the sweet smell of decay

dances

in your nostrils

and your blood

hums

in your wrists.

.

I know a quiet

place

where the ocean is

far away

and

gray

as it whispers

in your ears

and

thrums

in your nostrils.

.

I know a quiet

place

where sawgrass

rubs its legs

together

and tunes

its cilia

to an alien

key.

.

I know a quiet

place

that grows quieter

when it is

observed

but

holier,

too.

‘Disagreements’

I recall hot purple

tears

cliff-diving and

ricocheting

off craggy

cheeks

as my feet

took me places

in my apartment

that I felt as if

I had

never

truly

been before.

.

You made choking,

wet

pops

in your

throat

and could not look directly

at

anything.

.

All the

psychoanalysis

was

killing us.

.

I was

regurgitating

the poisonous

serpent

to get it out,

and you were

swallowing

the snake

in order

to make it

dis

ap

p

e

a

r

.

.

Absurdly,

I thought:

forgiveness

is like

a prickly

pear.

.

The words we

exhumed

bent grotesquely

as we

imbued them

with

new life,

and we

_w

___a

_l

___l

_e

d

them

in

with bricks

of burnt,

acid reflux

anger—

interweaving

and interlocking

with Brunelleschian

precision.

.

Could they

last

longer,

too?

.

Quiet

Quiet,

quiet,

we do not

care

about

your insecurities;

only lift us up

when you triumph

and do not

overburden us

with what it

means

to fail

in your

particular

flavor.

.

You have such

eloquence;

you say a

thing

in your

l.i.m.b.s.

just

exactly

right.

.

Oh, but the words

of the playwright

_____f.

_lo.

____w.

through you

so

_sur.

___rep.

_ti.

___tious.

___ly…

.

I almost

for.

got.

myself

in your

velvet

melody.

.

Sing to me,

dance for me,

speak to me,

lie to me;

lie to me;

lie to me.

.

.

Quiet,

quiet,

.

lie to me,

please,

.

quiet,

quiet.

.

.

.

.

Musical Memory

All life is a harmony
that slides–
from one day into the next
it glides;

I have found my own to be
quite irregular,
and nothing at all could tie me
all together.

(All my warmest sighing;
my aggregate darkness trying…)

You
are the melody that my soul always
sang,
but I didn’t have time
to write you down
before
you floated away,
again.

Dreamscape

I wonder aloud
about a backpack
that I left back
in an old lover’s
room,
filled with dreams
of our
future
even as
her heart
cracked
as
she emptied hers
out for the things
she felt I
lacked.

I am no
Saint—
in fact,
I am just a
Sinner,
but I’ve always
known that—
and my heart’s
no thinner
for giving myself
the right
to let my
Love
shimmer
like broken
bottle caps or
sea glass
on the beach
in
Winter.

I have
emerged from
the chrysalis,
but no one knows
like me
where the
missile is
that I
hid as a child
from the eyes
of the nosy
kind of god
my brother
was;
thistle is
a kind of
hiding place
where a child
can go
to think;
this ill is
the kind
that finds its
own cure.

If I could be
anything
small,
I’d choose to be
a moment
in a poem
where the
reader whispers,
‘Wow,’
but then forgets
to stall
long enough
to mark the page
at all;
I’ll be here
when you come looking
for me
again
after he breaks
your heart
next Fall.

The quieter we are,
the easier it goes,
but I am full of
colors—brimming
at the nose—
and when I speak
of flowers,
the word flows
like Lethe toward
unutterable Hades,
where he shows
Orpheus
that Hell
is a place
behind and
inside him
waiting simply
for
his eyes
to un.close.

Ovid
ought to have
left Orpheus
with the rocks;
I know that I think of
him when I
stare at clocks
(with my ears
mostly),
and think of 
Shakespeare’s
‘thousand natural shocks’
and how I got
to be so shabby
and tattered;
so
practiced at being
sanguine
compared to
my
pristine
condition
when I came
‘out of
the box’.

What were the ways
in which
Ancients
held
hands?
(I toss up a question,
but don’t wait to
see where it lands.)
You see, I ask
because I have
plans
to shout the moon
down from the sky
and make of
her demands.
(I only hope
she
understands.)

The Strain Before the Sound

I like to write a thing that
no one else will claim;
like maybe it’s too
ordinary
or like
a poem
or a moment
slipped by
quicker
than you were
able to
determine
whether
it was
noteworthy
or not;

That’s what loving you
is like:

the noteworthy
moments
taste
just like
the others
at first,
but the
sweetness
creeps in
the back door
when
no one’s
looking
and blooms
on your
tongue
in rememberance
like askew smiles
of diffidence.

Recall the
feeling you get
when you see a
bow being pulled
across strings;
just before
striking
sparks
from them,
you can see
the tendons
rippling against
the skin–
the antepenultimate
breath of
nightingales’
melodious
Lydian
songs;

And what
I am
struggling
to say
is:

That’s what
touching you
is like:

the strain
before
the sound.

Give me
a shaded
grove
o’ercrowded
with hanging trees
and a lament
and I will
weave a flower
in the air
for you:

lilacs
like I imagine
you
to be.

Lilacs, though,
in the fragility
of youth,
vapors
preceding
the first
opening of their
star-blooms:

the strain
before
the sound.

A March Return to Winter

Nothing ever falls
beautifully
like they say it
will.

Lilting lilies
leapt from my crooked
fingers
and
.th.lepped.
uselessly
on a dirt
floor.

I am in
a place
where
quiet things
never happen;
like heel-crushed
lily fragrance rising
to six-year old
nostrils with
swirl soft
inhales;
like hands
warmed by
tea
in old,
worn out
cups;
like eye laughter
or toes curling
in shoes;
like betrayal;
like finding God
or losing him.

Flourish-stroked
graffiti walls
match the tufts
of my hair
and no one
notices
my guilt.

I loved all things
equally
until I chose one
and then I loved
her
less
for the
choosing.

Nothing ever falls
_____bea.
________u
______ti
_______ful
_________ly
like they say
it
should.

Fears

I have a fear of falling through the ocean and landing in the sea,
Or of how she says airplanes make her feel romantic–shooting impossibly through
Whipped fields of luminescence. One day I’ll tell her how it is with me.

I feel as though I sneak into unlikely slipstreams
When she slides past me and furtively drops a glance on my ragged cheekbones;
I am constantly defeated by tree breath whispers that grip me,
And I like the way her silence sings with mine in subtle tones.

I am not made up of stardust, anymore.

It’s frightening how romanticism decays into pragmatism
And how natural and unhurried it makes you feel at the edge of a Tuesday evening.
I recall my wonder at the red candles lain out for catechism,
And I understand at last the way flame illumines even as it destroys everything.

I have a fear of falling through the ocean and landing in the sea,
It always starts with confusing the night sky with its face on the sliding black waters;
I have a fear of falling through myself and landing without me.